Going to a The Low Anthem concert is like stumbling upon a backwoods church with aged clapboard siding, windows thrown open to songs of melancholy and longing, attracting congregants young and old - most of whom wear plaid. An old foot pump organ with gaffer's tape and other assorted antique and electrified instruments are assembled on the stage. The songs, eerily beautiful, portray a decayed world on the brink of collapse with a quiet intimacy usually reserved for introspective events like religious worship. - Stephanie Keith

LISTEN: The Mynabirds, "What We Lose in the Fire We Gain in the Flood"

Binding together the disparate influences of slow-burning, hot-piping soul; swaying, sassy girl group pop; a gospel-tinged hymnal quality that lends her husky, smoke-burnished voice a ringing, striking command; and the sputtering, exhilarating abandon of garage rock, Laura Burhenn creates a stylistically divergent yet singularly inspired sound that's at once charmingly reverent and spiritedly self-supportive. Wrapped in Richard Swift's spotless production, simultaneously spacious and expansive yet rich in detail, the emotive songwriting at the heart of this record contains an empowering mix of Zen-like optimism and sepia-toned valor. - Anthony Lombardi

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Antique flourishes adorned the walls, tiny chandeliers resembling delicate, bioluminescent jellyfish clung to the ceiling, and chairs clattered from the

The Doves in Skein of geese from Gibson Acoustic is the calling of celebrated controlling luthier Ren Ferguson, and incorporates the features of the mythical Dove with some of the finest decorative employment in the energy. The Doves in Drive off displays 28 one at a time engraved in-flying dove inlays—seven on the headstock, 16 on the fingerboard, three on the pickguard, and two on the link—each with its own aboriginal conception, and all readily-cut from authentic abalone flower.

Source: Gibson Doves In FLight Antique Cherry Acoustic Guitar | gibson guitar